This is the first one - wall-hanging size. It was quite fun to make up, and I embellished it with sequins and buttons.
How I demonstrate that far from being a master of patience, I have a short attention span and am attracted to try out lots of fabric related techniques and ideas
This is the first one - wall-hanging size. It was quite fun to make up, and I embellished it with sequins and buttons.
My design wall may not be fancy, but it certainly does the job. Here is my Christmas Lights mystery quilt revealed in all its glory hanging vertically. (Can you spot the block on the right which I'll have to unpick? There's always one which wriggles about as you're sewing it!)
I used some donated 2 ounce wadding (not my preferrred wadding of choice) which was a bit puffy, so didn't want to quilt it too much.


I didn't know what to do with it. Part of me thought it should be given to a museum or collector, but another part of me felt for the original maker, and wanted to complete this quilt and not have it consigned to a box, to be seen by very few people. I took it to a Quilter's Guild Area Day, where a member knowledgeable about old quilts said it was 'not of museum quality'. So, I wrapped it carefully in acid free tissue and put it on top of the wardrobe.
Last week I reached a decision. I have decided to complete the top using reproduction and sympathetic fabrics, remove the papers, scan the most interesting ones and print them onto fabric to be used as the backing of the quilt. This way, the quilt is completed, but the history is not lost. 
This is the progress I have made on the top, so far. Looking good!

I knew there was a box of browns under the bed, but when we pulled the bed out, there was also a box of non-quilting fabrics (tulles, silks, curtain fabrics for bags, denim and all sorts of stuff which will be very useful one day, I know) and a box of novelty fabrics, oh and a box with UFOs, orphan blocks and backing in it. 

What a mistake. First I had to go down to the copy shop and get four copies of the pattern (quicker and more accurate than tracing my own, I decided). Next I had to paper piece 8, yes eight, sections, which were all the same. This took me a while, as there was a certain amount of reverse sewing involved here! Then, when I'd joined all the sections together, I had to pick the blooming paper off the back! I hope Eileen's not one of those 'I use tweezers to get all the little bits of paper off' types, as I'm a 'the little bits of paper will add extra warmth to the finished quilt' type! Anyone want to buy a practically new copy of Carol Doak's '50 Fabulous Paper-Pieced Stars'?!